throats.productions Mexico
Record Label based in Mexico.
Distributed and Marketed by Ascension Records
If you like throats.productions, you may also like:
The Gathering
by Galaktik Cancer Squad
supported by 26 fans who also own “Her Initial Sweetness”
C'est à partir de The Gathering, compilation rassemblant plusieurs E.P. et splits de Galaktik Cancer Squad, que le patronyme choisi par Argwohn prend toute sa signification. Les pistes, toutes instrumentales ("Oceans of Piss and Blood" et "Separation" exceptées) ont une envergure cosmique, ce sont des systèmes en évolutions spectaculaires. Mais de l'autre côté, le black metal est encore moins atmosphérique, il se fait contaminer et transformer par toute une variété de genres. Technique, épique !
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Slaves of the Vast Machine
by Obitus
supported by 26 fans who also own “Her Initial Sweetness”
I wasn't ready for this album, but it burst into my life through a brick wall like the Kool-Aid man on methamphetamines and beat the living daylights out of me just for the hell of it. As others have mentioned, this is an unrelenting and vicious slab of chaotic blackened death metal that levels everything in its path, takes no prisoners, and is not for the weak of heart. If there is a Guinness Book of World Record entry for metal, then the drummer of this band should be included.
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Of Ash and Dying Light
by Nachtterror / Altars of Grief
supported by 26 fans who also own “Her Initial Sweetness”
Room of Angel: What an amazing cover. The subject matter is right on point for Altars of Grief, and it feels genuine. Great song.
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Joseph Hawker subverts the musical and sociopolitical status quo with a black metal triptych that's as incendiary as it is impressionistic.
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Covenant of the Blackened Woodlands
by Ithilrå
featured on Bandcamp Radio Jan 19, 2024
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In The Shadow Of The Lights
by Vanessa Funke / Luroga
featured on Bandcamp Radio Aug 18, 2023
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Ghost Light
by Galaktik Cancer Squad
supported by 26 fans who also own “Her Initial Sweetness”
Galaktik Cancer Squad a muté : dans Ghost Light, la présence du chant se confirme (et il est très furieux) et la production met la batterie un peu en retrait, ce qui permet d'oublier qu'elle est programmée. Malgré tous ces changements, le travail de compositions sur les guitares, plus proches du black metal, est toujours aussi impeccable avec quelques riffs, notamment sur "In lichterlosen Weiten" et "Hypnose", qui sont presque légendaires — comprenne qui pourra ! Vivement un prochain album !!
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